• About
    • Basaltic, 2023
    • Remnants, 2022-23
    • Lunaticus, 2023
    • Fog, 2022
    • Memory, 2018-22
    • The Moraga Club, 2017-24
    • Collages, 2024
    • Ambiguous Sightings, 2024-25
    • Searching, 2023-24
    • All We Are, 2024
    • Ocean Calling SF
    • Collective Imprints
    • Design Strategy
    • Detained Imprints
    • Commissions
    • Windows, 2022
    • Shapescapes, 2021-22
    • Moraga Imprints 2016-17
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Sarah McCarthy Grimm

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San Francisco, CA 94122
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Sarah McCarthy Grimm

  • About
  • Lunasea
    • Basaltic, 2023
    • Remnants, 2022-23
    • Lunaticus, 2023
    • Fog, 2022
    • Memory, 2018-22
    • The Moraga Club, 2017-24
  • Loss Spectrum
    • Collages, 2024
    • Ambiguous Sightings, 2024-25
    • Searching, 2023-24
    • All We Are, 2024
  • Participatory
    • Ocean Calling SF
    • Collective Imprints
    • Design Strategy
    • Detained Imprints
  • More Work
    • Commissions
    • Windows, 2022
    • Shapescapes, 2021-22
    • Moraga Imprints 2016-17
Williams, AZ Cemetery, 199 days after Chelsea was there (April 14, 2024)

Ambiguous Sightings, 2024-25

Since Chelsea’s disappearance and losing both my grandparents 16 months thereafter (something I never expected to grieve without her alongside me), I have sought to physically imprint cathartic moments through my film photography ritual. It started when I made a pilgrimage to some of the places that Chelsea was last seen in Arizona. The name of this project skews the idea of a “confirmed sighting,” which is a term that the investigators use to describe the last time they were able to verify that my sister was seen (September 30, 2023). I am not trying to fix or get rid of my grief, but rather to metabolize it as I go, to acknowledge its continually arising and dissolving.

Because of Instagram, I have chosen not to post many photographs here. Please reach out if you’re curious to see more.

Ambiguous Sightings, 2024-25

Since Chelsea’s disappearance and losing both my grandparents 16 months thereafter (something I never expected to grieve without her alongside me), I have sought to physically imprint cathartic moments through my film photography ritual. It started when I made a pilgrimage to some of the places that Chelsea was last seen in Arizona. The name of this project skews the idea of a “confirmed sighting,” which is a term that the investigators use to describe the last time they were able to verify that my sister was seen (September 30, 2023). I am not trying to fix or get rid of my grief, but rather to metabolize it as I go, to acknowledge its continually arising and dissolving.

Because of Instagram, I have chosen not to post many photographs here. Please reach out if you’re curious to see more.

Williams, AZ Cemetery, 199 days after Chelsea was there (April 14, 2024)

Williams, AZ Cemetery, 199 days after Chelsea was there (April 14, 2024)

Archival Inkjet Print from Scanned TX 400 Film

23×23 inches, framed

Chelsea was in this cemetery, crying about forgotten soldiers. There is body cam footage from a police officer talking to her in her car on September 28, 2023, 2 days before the last verified encounter with her on FR6 Northwest of Williams. Also taken during my April 2024 pilgrimage.

Ashfork gas station, 197 days after Chelsea was last seen (April 14, 2024)

Ashfork gas station, 197 days after Chelsea was last seen (April 14, 2024)

Scanned TX 400 Film - size TBD

This seemed like the gas station where the locals go, so I put up one of my posters on the community board, next to some very faded old flyers and a new one selling alfalfa by the bale and under one for a community swap meet. The attendant was surprised she was still missing

Murphy's in Ashfork, 190 days after Chelsea's car was towed (April 14, 2024)

Murphy's in Ashfork, 190 days after Chelsea's car was towed (April 14, 2024)

Scanned TX 400 Film - size TBD

Chelsea was last seen on 9/30/23, with 2 flat tires on FR6 northeast of Ashfork. Then her car was reported to the police, seemingly abandoned, on 10/5/23. We don't know what happened between those days in that remote area, but I do know her car was towed to Murphy's in Ashfork, AZ.

Fort Worden Ghost, 2024

Fort Worden Ghost, 2024

Scanned TX 400 Film

The constant presence of Chelsea's absence is like a second shadow. This photograph shows the haunted feeling that I often feel. I also happened to take it in Fort Worden during my residency at Centrum in the S'Klallam homeland now known as Port Townsend, WA. While there was never active combat in these structures embedded into the gorgeous coastal landscape, there is a remnant of the fear and anticipation that wartime brings.

Grimm_GhostLight.jpg
Anywhere, 2024

Anywhere, 2024

Scanned TX 400 Film - size TBD

The title "Anywhere" has two meanings. It is actually in Sierra Blanca, Texas, but there are no distinguishing features or names defining where it is so it could literally be anywhere. My parents and I exasperatedly say to each other once in a while, "she could be anywhere!" and since the ambiguous loss is a filter on all the lenses through which I make art, this became a symbolic meaning for places like this.

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Loss Spectrum (Click below to view artwork):

  • The Alchemy of Loss - Collage portals

  • Pilgrimage - Medium format film photography

  • Searching - Monotypes

  • Invisible Struggle, Visible Hope - Social Practice Project in the form of a monthly Creative Coping Circle at Sealevel Studio

Lunasea (Click below to view artwork):

  • The Moraga Club, 2017-23 - Medium format film photography

  • Basaltic, 2023 - Paintings honoring the lunar seas

  • Remnants, 2022-23 - Paintings balancing structure and flow

  • Lunaticus, 2023 - Paintings to honor being moonstruck

  • Fog, 2022 - Paintings echoing the Pacific marine fog

  • Memory, 2018-22 - Paintings evoking the textural character of memory

Curious about anything? Please email me!

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Thank you for reaching out! I’ll get back to you shortly.

With care,

Sarah